andtradition_FlowerPot VP3 Table Lamp

Verner Panton, Year 1968

In 1968 the students’ revolts in Paris, Rome and the United States were overthrowing stiff, old values, and initiating the Flower-Power generation of peace, love and harmony. Same year, Stanley Kubrick pictured the future of the year 2001, featuring the Verner Panton Chair, and man was soon to set foot on the moon. In the world of design, a colourful, playful pendant hung in restaurants and exhibitions, and very soon, in everybody’s homes. The FlowerPot with its two semi-circular spheres facing each other has long proved its lasting design quality and is just as much a synonym of our time, too.

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www.andtradition.com

Flos, Arco

Achille Castiglioni and Pier Giacomo Castiglioni, 1962

Floor lamp providing direct light. White Carrara marble base. Satin-finish stainless steel telescopic stem. Pressed, polished and zapon-varnished aluminum swiveling and height-adjustable reflector. Foot switch on power cord, length 270 cm. Net weight 65,9 kg.

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www.flos.com

Verpan, VP Globe

Verner Panton, 1969

Pendant made of transparent acrylic. Five reflectors in hollowed-out aluminium with laquered finish (white, blue and orange). Incl. chrome canopy.

Diameter: 40 or 50 cm

E14 / E12. Max. 40W

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www.verpan.dk

Ingo Maurer, Bulb

Ingo Maurer, 1966

Polished chromium-plated metal base, hand-blown crystal glass. 230/125 volts, E27 socket. Complete with 100-watt top-chromated bulb.

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www.ingo-maurer.com

Louis Poulsen, LP Centrum

Kurt Norregaard, Poul Henningsen

10 shades mounted on 4 legs - Light source located at bottom of fixture - High architectural adaptability - Created for high ceiling spaces - Provides glare free & indirect illumination

Concept

Design by Kurt Norregaard based on sketches by Poul Henningsen. LP Centrum provides high-ceiling spaces with glare-free and indirect lighting. An integral aspect of the design, the 10 shades are designed according to the mathematic curve lituus. The philosophy behind the luminaire is to provide light for spaces, horizontally and vertically alike.

Finish

White, wet painted.

Story behind the product

LP Centrum consists of 10 shades, which have been designed according to the mathematic curve called lituus. Four legs hold these shades. The legs contain the wiring for the light source located at the bottom of the fixture. The design expression of the fixture makes it a born classic. It fits into classical as well as contemporary architecture.

G12. Max. 150 W

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www.louispoulsen.com

Louis Poulsen, AJ Royal

Arne Jacobsen

AJ Royal is state-of-the-art. Hemispherical fixture housing. Soft uplight emitted through stepped ring louvres moulded to fit the shape of the fixture.

2GX13, E27. Max. 100 W

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www.louispoulsen.com

Northernlighting, Dokka

Birger Dahl, 1954

Dokka is a small pendant light with a clean profile. It is a genuine piece of European post war design history: in 1954 this functional light icon was the first Norwegian lamp ever to be awarded the highly regarded Golden Medal at the Milan Triennale. The lamp, also known as “pendel S/10053”, was produced and sold by the Norwegian electricity company Sonnico (Oslo) for many years. Dokka became one of the best selling Norwegian pendant lamps ever produced, until the day Sonnico closed down its lighting production and sales of the lamp came to an abrupt end. In 2007 Northern Lighting decided to relaunch this design classic, taking care to preserve the main shape and features that originally made it such a well-loved light.

Models:

Dokka chrome

Dokka offwhite

Dokka black

Dokka brown

Specifications:

Pendant lamp

Shade material: Steel

Shade ring material: Electrical plated steel

Shade colours: Offwhite, chrome, black or brown

Wire colour and length: Offwhite or black, 250 cm

E27. Max. 100 W

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www.northernlighting.no

Artek, Pendant Lamp A331

Alvar Aalto, 1953

White painted aluminium.

Polished brass rim.

75W, E27.

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www.artek.fi

Vibia, Puzzle

Diego Fortunato

Optical glass.

Black lacquer / Silver lacquer / White lacquer.

3 x E14 Esferica Mate 40W Max Incandescent.

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www.vibia.es

Foscarini, Supernova

Ferruccio Laviani, 2000

Suspension lamp constructed of a series of parallel disks in polished stainless steel, matte aluminium or multicoloured lacquered aluminium, support in chrome metal.

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www.foscarini.com

Dark, Tsjoepy S

Anthony Duffeleer

CDM-R (35 W) or HALOPAR-20 (50 W)

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www.dark.be

Foscarini, Le Soleil

Vicente Garcia Jimenez, 2009

Suspended architecture that recalls the outline of the Guggenheim Museum in New York; this is the first impression of Le Soleil, Foscarini's new lamp designed by Vicente Garcia Jimenez. Its important volume is made lighter and enlivened by its asymmetric bands, which play a leading role in diffusing the beam of light.

Thanks to their opacity, the bands act as reflective surfaces on the inner side facing upwards and, at the same time, focus the light directly onto the surface below, producing a soft, delicate visual effect.

The extremely diffused lighting created by the interplay of light and shade, is underlined by the colour variations of Le Soleil. The colours strongly characterise the lamp and define its plastic form making a strong visual statement and furnishing both homes and contract spaces with expressive impact.

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www.foscarini.com

Classicon, Roattino

Eileen Gray, 1931

S-shaped steel tubing in black. A pivot enables various positions of the lampshade. Base in steel, lacquered in black. Floorswitch.

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www.classicon.com

Ingo Maurer, 5 - Pack

Axel Schmid, 2008

Aluminium, stainless steel. 230/125 volts. 2 x 60 watts halogen, sockets E14. Five reflectors, Ø 28 cm, exterior matt white, interior yellow lacquer respectively polished aluminium. Light effect variable by adjusting the spacing between the reflectors.

For ceiling heights up to 300 and 550 cm.

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www.ingo-maurer.com

Dark, Son of Eddy

Davy Grosemans

1x CLICKLINE (MAX 40 W) / G9

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www.dark.be

Artemide, Itis

Naoto Fukasawa, 2006

Table lamp with direct and diffused light emission; using innovative low energy LED light source to provide a warm, intense light. Two articulations connect the stem to the base and the head which allow the stem to be tilted from 0° to 90° and the head to be rotated 180°. Painted zamak base, painted metal stem, painted metal and polycarbonate head, satin transparent polycarbonate diffuser. 

Colours: black or white.

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www.artemide.com

spHaus, et

Filippo Dell’Orto, 2002

Floor lamp in powder-coated steel. It comes with a PAR30 100w halogen bulb with dimmer control. Available in orange, black, silver and light blue.

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www.sphaus.com

Blux, Boletus

Jorge Pensi

22W (E27) fluorescent bulb or 75W (E27) incandescent bulb.

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www.grupoblux.com

Fontana Arte, Avion Hanging lamp

Marco Acerbis, 2009

Support and shade in polished white painted nylon, manufactured through rotational moulding process. Lower disc diffuser in opal white glass. Steel hanging cables. Transparent feeding cable. It houses fluorescent lighting sources only. 3x20W E27 (FL)

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www.fontanaarte.it

Fontana Arte, Avion table

Marco Acerbis, 2009

Support and shade in polished white painted nylon, manufactured through rotational moulding process. Upper disc diffuser in opal white glass. Base in die cast aluminium, painted white. It houses fluorescent lighting sources only. 3x20W E27 (FL)

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www.fontanaarte.it