5.27.2009


Thonet, S 40 F
Mart Stam, 1998

Cantilever chair, seat and back of solid iroko slats. Tubular stainless steel frame.

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www.thonet.de

5.26.2009


Tom Dixon, Spot table
Tom Dixon, 2009

The Spot Tables are enamel coated tables that consist of a heavy weighted base with two different height stems with either a square or a round top. Coated in heavy duty vitreous enamel, an ultra hygienic and industrial process in which particles of glass are sprayed on to cast iron, and then fired at furiously high temperatures. 

Not only are the results highly functional, the materials qualities are extremely hard wearing with an extraordinary depth of colour. The two different heights can be interchanged as desired with either a square or circular top. Enamel colours available are black, white and burnt red.

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spHaus_Ferro 3
Modoloco, 2007

Ferro 3 is a coffee table designed in two versions with different heights and diameters. The 8mm thick aluminium tabletop has a glossy lacquer finish and rests on a frame of curved steel rods painted in the same colour as the top. Available in all spHaus colours.

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5.25.2009


Danerka, Silverstone
Morten Voss, 1999

The Silverstone Chair is based on a simple design and uncompromising workmanship. Frame in hand polished chromed steel and upholstery of your choice in various textures.

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Autoban, Pumpkin
Seyhan Ozdemir, Sefer Caglar, 2004

Inspired by the Ottoman Kavuk and the pumpkin, the top and bottom circlar plates of this coffee table/stool are connected by metal rods, which allow it to be used as a magazine rack as well. And that’s Autoban’s take on (multi)functional design.

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5.24.2009


Hi, this my first tutorial i ever made. In this video i show how i create seamless textures for my projects. Hope it helps . 

ps To help me make next tutorials better, please, make some comments to this post.

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Cappellini, Ko-ko
Shiro Kuramata, 1986

Service table in black-stained ash and polish chromed metal.

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Swedese, Accent table
Yngve Ekstrom, 1959

Oak table in two different heights. 150 x 70 H 48/60 cm

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Another Accent models here and here.

5.21.2009


Flexform, Morgan
Studio Flexform, 2003

Frame in nickel-satined metal. Seat in polyurethane and dacron. Backrest in solid zebrano, canaletto or extra canaletto walnut or in beech, either natural or stained cherry or walnut. Upholstery removable fabric or leather covers.

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BB Italia, Fat Fat
Patricia Urquiola, 2004

Clear oriental inspiration for the collection of tables withvarnished tray matching the shade of the structure designed for casual multipurpose environments. The small tablesresemble Fat Fat and Lady Fat’s mobile tray, proposing it on a very light metal rod frame, stressing its three-piece modularity. Also available with a single tray in three sizes.
Support structure: steel sheet and profiles, bright chromed or orange, chalk white, blue, burgundy red, mustard yellow, graphite, black varnishedBold
Tray: steel sheet in black nickel, orange, chalk white, blue, burgundy red, mustard yellow, graphite, black varnished.

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5.20.2009


BB Italia, Metropolitan chair ME 48
Jeffrey Bernett, 2003

Metropolitan simplicity is the result of a balanced relationship between the shape of the seat and the form of a frame in nickeled or graphite varnished metal. A small rotating armchair mounted on a central base in bright brushed aluminium follows the same continuous sign of the seat and armrests.

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Dark, La Cage S
Stefan Schoning, 2008

Stefan Schoning attempts to save the bulb from extinction. La Cage is made from bended steel wire, in which the bulb is centralised, serving as the reserve for an endangered species. 1 x PLE E 14 max 11W or 1 x E14 max 40W

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Dark, Son of Eddy
Davy Grosemans

1x CLICKLINE (MAX 40 W) / G9

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5.19.2009


Fritz Hansen, PK 8
Poul Kjarholm, 1978

The design is from 1978 and until 2007 it only existed as a drawing and as a prototype in Hanne Kjarholm's home.
The beautiful, organic shell is known from PK9 – the 3-legged aluminium base, however, is unique.
The chair was originally upholstered with leather, inspired by PK9, but it’s now made in a hard plastic material. The seat shell is dyed hard plastic material with a lacquer coating.
PK8 comes in black, white, grey and red. Base and shell are assembled with three screws that are visible on the seat shell. Each chair is provided with a unique number engraved in the base.

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Fritz Hansen, Space lounge tables
Jehs+Laub, 2007

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5.18.2009


Fritz Hansen, PK 9
Poul Kjarholm, 1960

The seat shell of the chair is of pressure moulded, fibre-reinforced polyester. The shell is covered with leather which is glued onto the back while being loosed on the front side, which enhances the sitting comfort. The legs are of stainless spring steel, matt polished by hand.

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Swedese, Accent sofa
Yngve Ekstrom, 1959

215 x 72 x H 76 cm

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Swedese, Accent easy chair
Yngve Ekstrom, 1959

85 x 72 x H 76 cm

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5.14.2009


Lammhults, Sahara Wood Sofa
Gunilla Allard, 2009

With Sahara my inspiration was the African lodge life, a scent of steppe, canvas, wild animals, adventures and challenges. A life in the wild nature.

Gunilla Allards latest addition, Sahara Wood, a further development of Sahara, brings us yet a step closer to her source of inspiration.

This by a newly designed frame consisting of elegant turned wood legs with chromed details. The characteristic expression that lies in the shape and construction of the arms remains and the combination with the wood legs offers a softer, warmer version of Sahara. The combination between metal and wood creates an exquisite meeting. It is like a jewel says designer Gunilla Allard.

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Thonet, B 117
Thonet, 1934

Drawer table, thickness of table top 19 mm, corpus 45 x 43 mm, round tubular frame 22 x 2 mm chromeplated.

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5.13.2009


Thonet, S 40
Mart Stam, 1998

Cantilever chair, seat and back of solid iroko slats. Tubular stainless steel frame.

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LigneRoset, Sala
Pascal Mourgue, 2003

An elegant chair on graceful ‘sleigh’ feet. The flexible back of the seat shell guarantees maximum comfort. Brilliant-chromed tubular steel frame. Cover may be removed for dry cleaning.

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spHaus, 76er
Diego Sferrazza, 2007

A rectangular or square table for homes or restaurants. The reinforced MDF tabletop, covered with Abet plastic laminate in a variety of colours, rests on four steel legs painted the same colour as the top. 140 x 140 x H 73 and 90 x 200 x H 73 cm

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Ligne Roset, Mini Dada
Claudio Colucci, 2009

40 x 58 x H 59 cm

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5.12.2009


Classicon, Styx
Alexander Taylor, 2008

What is unusual about Alexander Taylor's Styx Table is its substructure of folded steel bands, which bulges before it meets the floor. The glass plate seems to float on top, fixed in place by a strong magnet that eliminates the need for any elaborate anchoring. The top of this coffee table (which comes in either clear or smoked glass) has very generous dimensions to accommodate magazines or books and of course a stimulating cup of coffee. Coffee to stay rather than coffee to go, that is. What a great way to relax!

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5.11.2009


Classicon, Day Bed
Eileen Gray, 1925

The Day Bed is rightly counted among the most famous designs by Eileen Gray. The lounge "offers pleasant and comfortable seating and is, moreover, particularly suited to relaxing." What she in her own modesty conceals is the fact that the Day Bed is enchantingly beautiful, accessible from all sides and a pleasing sight from every perspective. It is the ideal showpiece to be placed freely in a spacious room. 

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Cassina, Mex 269
Piero Lissoni, 2006

Small low tables in tempered glass, bases painted white or black. Tops and shoulders in transparent extra-clear tempered glass.
Three sizes:
- square 72 X 72
- rectangular 108,5x36,5 or 72x36,5
Height 24 cm.
The tables can be grouped to form a 108,5 cm. Square. The white or black bases may be grouped at will.

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Classicon, Satish
Eckart Muthesius, 1931

Frame of chromium-plated steel tubing. Upholstery: polyurethane with polyester filling on a beechframe. Cover in leather.
The palace of Maharajah Shri Yeshwant Rao Holkar Bahadur was placed in the far Indies, yet it was equipped with the latest in modern finesse from a western life. This included a billiard room and a bar in an avantgarde style where the walls shimmered blue and silver and stainless steel, lacquer and leather were the dominating materials. The bar stool designed by Eckart Muthesius for this place, is even today, nearly 70 years later, a fascinating and individual design and could be placed in any modern scene-bar. A true modern classic never dies.

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5.10.2009


Artemide, Itis
Naoto Fukasawa, 2006

Table lamp with direct and diffused light emission; using innovative low energy LED light source to provide a warm, intense light. Two articulations connect the stem to the base and the head which allow the stem to be tilted from 0° to 90° and the head to be rotated 180°. Painted zamak base, painted metal stem, painted metal and polycarbonate head, satin transparent polycarbonate diffuser. 
Colours: black or white.

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Classicon_Occasional Table
Eileen Gray, 1927

Side table with round or rectangular table-tops. Frame of chromium-plated steel tubing. Table-tops of MDF high-gloss lacquer finish in Chinese red, black, grey or white. 
The Latin for furniture, "res mobiles," is based on the word mobile. Eileen Gray took this very literally. She loved light, functional furniture that one could move around without problem. One can lift this table "for all occasions" as if it had a handle and carry it exactly to where one needs it. Like the "Adjustable Table E 1027," it is constructed such as to slide the base under the bedside or armchair. Thus breakfast or bedtime reading is within comfortable reach.

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Classicon, Petite Coiffeuse
Eileen Gray, 1929

Eileen Gray understood how to combine the aesthetic with the practical as did few designers. The geometrically structured small dressing table, designed for her summerhouse E1027, is a proof of this. The drawers in the small side box of the Petite Coiffeuse swivel out. Everything is reduced to the essentials, but it is all within easy reach.

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spHaus, et
Filippo Dell’Orto, 2002

Floor lamp in powder-coated steel. It comes with a PAR30 100w halogen bulb with dimmer control. Available in orange, black, silver and light blue.

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5.07.2009


Duravit, Starck 1 bath
Philippe Starck

180 x 80 cm and 190 x 90 cm.

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Cassina, Red and Blue
Gerrit Thomas Rietveld, 1918

Lounge chair with frame in black stained beech. Seat (blue) and back (red) in lacquered multiplywood.

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Vitra, Nelson bench
George Nelson, 1946

This bench's clear, straightforward lines reflect Nelson's architectural background. Like many design classics it can be used flexibly as either a bench or an occasional table. 1220 x 47 x H 35 cm and 184 x 47 x H 35 cm

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Zanotta, Quaderna writing desk
Super Studio, 1970

Honeycomb core structure coated with white plastic laminate, silk-screen printed with black squares at 3 cm spacing.

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5.06.2009


Zanotta, Quaderna console and bench
Super Studio, 1970

Honeycomb core structure coated with white plastic laminate, silk-screen printed with black squares at 3 cm spacing.

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