Swedese, Cartoon
Stine Gam, Enrico Fratesi, 2008
Cartoon easy chair made in solid oak or black stain is equipped with an oversize backrest with small buttons inside.
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4.30.2009
Fontana Arte, 2198
Archivio Storico, 1954
Floor lamp with dimmer. Satin aluminium base. Stem in pear wood. Diffuser in satin white opal blown glass.
2198/1 — 1x150W E27 (IN), 2198 — 4x60W E27 (IN) + 1x100W E27 (IN)
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4.29.2009
Classicon, E1027
Eileen Gray, 1927
Adjustable side table. Frame of chromium-plated steel tubing. Top of crystal glass clear, parsol grey or metal black.
Among the classics this is perhaps the classic. Its ingeniously proportioned, distinctive form has made this height-adjustable table into one of the most popular design icons of the 20th century. It is named after the summer house E 1027, “Maison en bord de mer”, that Eileen Gray built for herself and for her collaborator, Jean Badovici. Likewise, the secret code-name comes from her: E is for Eileen, 10 for Jean (J is the 10th letter of the alphabet), 2 for B(adovici) and 7 for G(ray).
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Cappellini, Ko-ko
Shiro Kuramata, 1986
Service table in black-stained ash and polish chromed metal. 50 x 45 x H 61 cm
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Shadow, Cappellini
Christian Ghion, 2001
Chaise longue with metal structure and moulded polyurethane foam, fixed cover in fabrics and leathers of the collection. Satined stainless steel base.
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Antonio Lupi, Baia
Carlo Colombo
Oval Cristalplant tub complete with drain and pressure plug, weight 125 kg, capacity 400 l. 185 x 90 x H 50 cm
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4.28.2009
Vitra, 06
Maarten Van Severen, 2005
Revealing the same lack of compromise with regard to shape as the .05, the great comfort of the .06 becomes apparent only when it is used. The flexible integrated foam seat and back shell, with foam-coated compound springs in the back, provide a sensation of dynamic seating. The stainless steel tubular frame means the chair is ideally suited for outdoor use.
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Artemide, Arcadia
Ernesto Gismondi, Giancarlo Fassina, 1995
Polished-chromed metal base, wooden stem in polished-chromed metal or in varnished mahogany, diffuser in white sanded glass. Available in table and bedside table lamp version. Direct and diffused light.
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Vitra, Stool
Charles Eames and Ray Eames, 1960
In 1960 the Eames office was commissioned by Time Inc. to fit out three lobbies in the Rockefeller Center in New York. As well as complete interior fixtures and fittings the project included the comfortable Lobby Chairs and a series of solid walnut stools. These turned stools which (as Ray Eames originally intended) can also be used as occasional tables, have three different design details in their centre sections.
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4.27.2009
Vitra, Monopod
Jasper Morrison, 2008
Jasper Morrison’s Monopod is a sculptural peice, vaguely reminiscent of primordial stone or wooden objects. The Monopod stands sturdily, tapering with an elegant curve to a wedge-shaped backrest. As a small visitor armchair, the Monopod is a companion for sofas and larger armchairs, and in public areas thanks to its solidity can be used in lounges and reception areas. The structure of the armchair, with its plastic shell upholstered on the inside means that the Monopod retains its precise shape even if used for lengthier periods and is very comfortable.
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spHaus, 004.01
Filippo Dell'Orto, 2002
Rectangular or square table in powder-coated with glossy finish. Suitable for indoor or outdoor use. 140 x 140 x H 75 cm, 200 x 85 x H 75 cm
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Zanotta, Tempo
Prospero Rasulo, 2001
Occasional table/stand. Stiff polyurethane cones, steel stem, scratch-resistant embossing or brushed glossy lacquer in the colours shown on the colour card. In the lacquered version, it also comes with a white Carrara marble top.
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Vitra, 05
Maarten Van Severen, 2004
The success story that is the cantilever-based chair is already almost 80 years old but .05 offers a design whose uncompromising shape and outstanding comfort surpass even those of the classic version of this chair - Mart Stam's 1926 cantilevered chair.
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Ligne Roset, Solo
Barbara Thompson, 2003
Vase in fibreglass finished in gloss lacquer, comprising 10 layers of fibreglass and 25 of lacquer, brushed on then carefully polished. The lacquer hardens as it dries to form a light but resistant protective layer around the fibreglass. The lacquer is made from a natural resin, mixed with pigments or powders.
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4.26.2009
Vitra, Cite Armchair
Jean Prouve, 1930
Cite Armchair is one of Prouve's early masterpieces, designed for a competition for furnishing the halls of residence at Nancy's cite universitaire. Prouve himself used this armchair with its dynamic appearance, its characteristic coated sheet steel rockers and broad leather arm support straps in the living room of his house. Moulded sheet steel base, seat and back in single-piece fabric or leather cover, armrests made of natural leather straps. 84 x 68 x 95 cm
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Cappellini, Oak Table Module
Jasper Morrison, 2006
Series of detachable rectangular low tables, superposable and aggregable. Top in natural solid oak, detachable legs in turned natural oak. Tops surface have circular marks to let elements be superposable.
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Classicon, Double X with glass top
Eileen Gray, 1928
When an avant-garde steel tube design meets the classical refectory table, the result is the Double X. A large, yet elegant table, its xshaped supports make for optimum rigidity. Like so many of Eileen Gray‘s designs, the Double X is a master of many roles, cutting a fi ne fi gure both as a dining room table and as a desk or offi ce table for individualists. Frame of chromium-plated steel tubing. Tabletop in crystal glass. 82-110 x 224 x H 73 cm
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Classicon, Double X
Eileen Gray, 1928
When an avant-garde steel tube design meets the classical refectory table, the result is the Double X. A large, yet elegant table, its xshaped supports make for optimum rigidity. Like so many of Eileen Gray‘s designs, the Double X is a master of many roles, cutting a fi ne fi gure both as a dining room table and as a desk or offi ce table for individualists. Frame of chromium-plated steel tubing. Tabletops available in: MDF high-gloss lacquer fi nish or veneered with real wood in American walnut or black-stained ash. 82-110 x 224 x H 73 cm
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4.25.2009
Cappellini, Mini Bottle
Edward Barber, Jay Osgerby, 2008
Low service table manufactured in ceramic and available in white, blue or black colours. Mini Bottle is produced in one of the more famous italian handicraft laboratories, where earth is transformed in masterpieces. A small, but fascinating little piece of furniture.
45 x H 42 cm
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Cappellini, Sibal
Marco Colombo, 2008
Sibal is a wide-dimensioned dining table, elegant and refinedly simple: an item which join the light of the chrome surfaces to the warm colours of veneers. Tops are manufactured in wood, wenge, natural oak and natural santos; base are produced in polish chromed stainless steel. 1000 x 2500 x H 710 cm and 1000 x 3100 x H 710 cm
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LigneRoset, Hyannis Port dining table
Eric Jourdan, 2007
Table with two half-moon tops in panels of particleboard finished in either oak veneer or lacquer. Base is in brilliant-chromed steel with adjustable jacks set. When closed, the table seats 6-8, with the extension leaves in place, it can accomodate 10-12.
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4.24.2009
Porro, Groove
Piero Lissoni, 2008
Simplicity, equilibrium and symmetry - the basic principles of typically Zen aesthetics, can be found in the Groove bench in solid wood. The bench is obtained by means of a single horizontal beam, raised on two support bases which are inclined and jointed. A project reduced to minimum terms where every element exerts a clear structural function. The elementary nature of the sign exalts the richness of the support. The particular nature of the product is all encapsulated in the material used - Hemlock wood, a North- American wood with incredibly clear veins, with the chromatic spectrum between white and yellow.
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Desalto, A1
Arik Levy, 2005
Small armchair with brushed stainless flat steel frame. Seat and back in expanded polyurethane. Covered in fabric or leather. Frame, seat and back are detachable.
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4.23.2009
Cor, Quant Tables
Alfred Kleene, Gabriele Assmann
With the Quant chair and table programme, too, you can choose from a number of different models. We produce the tables in two widths and three lengths and combine them with precious surfaces such as walnut, natural maple or lacquered.
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Cor, Quant Sofas
Alfred Kleene, Gabriele Assmann
The Quant sofas, in three widths and with their characteristic runners, are at once an eye-catcher and tranquil element in any home and combine beautifully with the armchairs. Quant is available in four variants: runners, rollers, feet or rotating plate. Whatever version you choose - the design remains clear and pure. Available widths: 136, 166 and 196 cm.
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Cor, Quant Lounge Armchair
Alfred Kleene, Gabriele Assmann
A narrow, delicaite armchair that adapts to its environment and integrates itself without being dominant or pushy. The tiny difference with immense impact lies almost hidden within the armchair. QUANT can be mobile on rollers or make a striking impression on runners. It can be solid and immobile on feet or turn its back on you with a swift rotation. QUANT is available in four variants: runners, rollers, feet or rotating plate. Whatever version you choose - the design remains clear and pure.
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Cor, Quant Chairs
Alfred Kleene, Gabriele Assmann
With the Quant chair and table programme, too, you can choose from a number of different models. We produce the tables in two widths and three lengths and combine them with precious surfaces such as walnut, natural maple or lacquered. The matching chairs are either obtainable in striking swing-frame style or with classic cheek armrests and mounted on either rollers or a pair of runners.
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4.22.2009
Cor, Quant Armchairs
Alfred Kleene, Gabriele Assmann
A narrow, delicaite armchair that adapts to its environment and integrates itself without being dominant or pushy. The tiny difference with immense impact lies almost hidden within the armchair. Quant can be mobile on rollers or make a striking impression on runners. It can be solid and immobile on feet or turn its back on you with a swift rotation. Quant is available in four variants: runners, rollers, feet or rotating plate. Whatever version you choose - the design remains clear and pure.
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spHaus, 002.09 Light
Filippo Dell'Orto, 2002
Rectangular table with steel chromed frame. Tabletop in transparent crystal, extralight crystal, coloured stratified glass or lacquered crystal, 15 mm thick.
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spHaus, 002.09
Filippo Dell'Orto, 2002
Rectangular table with chrome-plated steel frame or epoxy painted steel structure in various colours in the catalogue. MDF tabletop reinforced with two aluminium plates and finished with opaque polyurethane lacquer or hand-polished polyester.
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Zanotta, Giotto
Paolo Lomazzi, Jonathan De Pas, Donato D'Urbino, 1975
Varnished beech frame with red bracket or in black painted wood finished with scratchresistant embossing. Vertically adjustable revolving seat.
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Ligne Roset. Plato
Jacques Ducru, 2005
Low table in lacquered MDF with 40x40x5cm cutout in one corner of the top, which is designed to take an optional tray of the same dimensions.
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4.21.2009
Zanotta, Sushi
Carlo Colombo, 2005
Frame in natural or wenge-stained oak. Cushion-holding steel frame varnished aluminium. Elastic strip springing. Cushions upholstered in goose down. Removable cover in fabric or leather.
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Vitra, Prismatic Table
Isamu Noguchi, 1957
Noguchi's Prismatic Table is based on purely geometric forms. This novel three-legged side table with its hexagonal tabletop is made of folded sheet aluminium and was inspirerd by traditional Japanese paper folding techniques. Collection Vitra Design Museum. 37,5 x 41 x H 41 cm
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Cappellini, Brick
Erwan Bouroullec, Ronan Bouroullec, 2001
Zanotta, Marcuso Rectangle
Marco Zanuso, 1970
15 mm, plate glass top. Ø 100 mm, removable legs in 18/8 stainless steel or painted in black or anthracite. Legs screwed onto stainless steel discs fixed to the glass. The table top can be supplied in any size.
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